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Copyright 2008 The New York Times Company


Indiana Jones Is Battling the Long Knives of the Internet:
An online review of the upcoming Indiana Jones movie breaches the Spielberg film’s tight security.

Movie Review | 'Speed Racer': Gentlemen, Start Your Hot-Hued Engines:
“Speed Racer” sets out to honor and refresh a youthful enthusiasm from the past and winds up smothering the fun in self-conscious grandiosity.

Movie Review | 'Surfwise': A Family That Surfs to a Beat: Its Own:
“Surfwise” has a bohemian vibe and a cool sheen, but it’s an eager-to-please, pleasing commercial enterprise with a reassuring narrative arc.

Movie Review | 'Before the Rains': After Them the Monsoon: Two Worlds Collide in India:
The ingredients of the Indian director Santosh Sivan’s period piece “Before the Rains” may be awfully familiar, but the film lends them the force of tragedy.

Movie Review | 'What Happens in Vegas': Morning Hangover, Spouse and Jackpot:
“What Happens in Vegas,” one of those junky time-wasters that routinely pop up in movie theaters, won’t make you laugh much or at all.

Movie Review | 'The Tracey Fragments': Average Teenage Girl, Assembling a Life Without a Set of Instructions:
Viewed as the sum of its sad incidents, “The Tracey Fragments” seems like the kind of adolescent melodrama that has become a staple of young-adult literature.

Movie Review | 'Turn the River': When Life Gives Lemons, Pick Up a Pool Stick:
“Turn the River” is a finely observed portrait of a desperate working-class woman who refuses to play by ordinary rules.

Movie Review | 'Frontier(s)': After Making It Out of Paris, Finding There’s No Escape:
The real surprise of “Frontier(s)” is that this creepy, bloody contemporary gross-out also has some ideas, visual and otherwise, wedged among its sanguineous drips.

Movie Review | 'OSS 117: Cairo, Nest of Spies': A Dashing Agent in Egypt:
The hero of “OSS 117: Cairo, Nest of Spies” might be described as a French equivalent of James Bond.

Movie Review | 'Noise': Aural Examination:
“Noise,” the second part of a projected “fanatic trilogy,” is shallow and loud.

Movie Review | 'The Fall': Broken Spirits on the Mend:
Shot piecemeal over the course of four years on locations in 18 countries, “The Fall” is a genuine labor of love — and a real bore.

Movie Review | 'The Memory Thief': The Filling of an Empty Soul:
In “The Memory Thief,” a strange and melancholy journey to the heart of madness, a rootless young man finds meaning in the horrors of a stolen past.

Movie Review | 'Poultrygeist: Night of the Chicken Dead': Going for the Finger-Licking Gusto:
“Poultrygeist: Night of the Chicken Dead” is just about as perfect as a film predicated on the joys of projectile vomiting and explosive diarrhea can be.

Movie Review | 'The Babysitters': From High School Student to Ruthless Madam:
Until it crosses a shadowy line dividing serious comedy from distasteful exploitation, “The Babysitters” has the makings of an incisive satire of greed and lust in suburbia.

Movie Review | 'Meet Bill': Finding Your Bliss? Losing Your Mind:
Male midlife crisis presents as pathological self-loathing in “Meet Bill,” an imperative to which the only sane response is: No thanks.

Movie Review | 'Vice': A Cop in a Tailspin:
“Vice,” a muddled, disposable crime thriller, has modest merits.

Movie Review | 'A Previous Engagement': Caught Between Her Passion and Her Pension:
More tired than the fantasy it promotes, “A Previous Engagement” aims at middle-aged women with the subtlety of a pitch for bladder-control medication.

Movie Review | 'Unsettled': Youthful Energy and Religious Pain:
Adam Hootnick’s “Unsettled” makes the political personal, drawing a scattershot yet intimate picture of a nation divided.

Movie Review | 'Refusenik': A Portrait of Perseverance:
“Refusenik” falls short as entertainment because of the plodding, overly studious approach of the director, Laura Bialis.

Movie Review | 'Bloodline': A Mystery With No Resolution:
The sensationalistic documentary “Bloodline” explores the supposition that there exists a lineage traceable to Jesus and Mary Magdalene.

Movie Review | 'Dilemma': The Sights and Sounds of Oppression:
“Dilemma” is an earnest if schematic attempt to address conditions in Johannesburg under apartheid.

A Casting Call for Sexy Cars (Hybrids Need Not Apply):
Vehicles, both hot and not, have been enjoying an on-screen heyday. But Toyota’s Prius has remained something of a novelty act on the big screen.

Disney’s Newly Crowned Prince, Plucked From a London Stage:
A movie franchise returns with a newly crowned hero: Ben Barnes as Prince Caspian.

To Reduce Costs, Warner Brothers Closing 2 Film Divisions:
The company said closing Picturehouse and Warner Independent Pictures was a cost-cutting move rooted in the changing economics of the specialty film business.

Advertising: Your Chance to Finish a Movie Microsoft Started:
Microsoft Corporation is underwriting an online movie-making contest to stimulate sales and burnish the reputation of its Windows Vista operating system.

Stalker's Mother Recalls His Early Days of Promise:
The mother of the man convicted of stalking the actress Uma Thurman recalls her son’s better days.

Movie Review | 'Battle for Haditha': The Killing of Innocents Faces a Dry-Eyed Dissection:
In “Battle for Haditha,” the British filmmaker Nick Broomfield revisits a wretched chapter of the war in Iraq.

A Night Out With Ellen Page: Just a Girl From Halifax:
While many actresses fantasize about wearing Valentino or Zac Posen on the red carpet, Ellen Page has a completely different idea.

A Knack for Being the Bad Boy:
The British actor Ian McShane opens next week as the patriarch Max in Harold Pinter’s “Homecoming,” a man-monster of diminishing powers and, of course, many vulgarities.

Tomorrow’s Oscar Hopefuls Today:
The “Black List” has become the kind of underground document that writers with projects in development pray will mention their script.

Under a New Watch, Miramax Still Homes in on Awards:
Miramax may be a smaller and calmer organization under Daniel Battsek, but the studio has nonetheless remained in the thick of the awards race.

For Struggling Black College, Hopes of a Revival:
Wiley College is suddenly feeling the glow of celebrity with the release of a film about the school’s debating team.

Critic’s Choice: Respect in a Box: Giving John Ford the Major American Artist Treatment:
“Ford at Fox” is a gargantuan boxed set that assembles 24 of the 50-some films John Ford made for the studio that was his most consistent home.

‘Kite Runner’ Boys Are Sent to United Arab Emirates:
After months of worrying and diplomatic wrangling, the movie studio that is releasing “The Kite Runner” has whisked to safety four young actors.

Off the Stripper Pole and Into the Movies:
She no longer dances naked, but the first-time screenwriter Diablo Cody is still exposing herself.

Down South, Singing the Indie Blues:
Twenty-seven years and 16 features after they began their mutual career, John Sayles and Maggie Renzi are still making movies.

Film on Mexico’s Disputed ’06 Election Stirs Emotions:
A documentary about last year’s disputed presidential election has drawn big crowds and generated controversy in Mexico.

Striking Screenwriters Dismiss New Proposals:
The screenwriters called the proposals from producers a “a massive rollback,” and called on their members to continue their walkout.


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